i acknowledge and pay my respects to the traditional custodians of the lands on which i live and work, the Boon Wurrung and Woi Wurrung peoples, who for thousands of generations have created art and produced knowledge.

ig @drawmelikeoneofyourasiangirls

Indo Me
2024
Indomie Mi Goreng and oil paint on wooden pallet
dimensions variable

Together
2023
synthetic indigo dye on cotton-silk voile
dimensions variable

Masters of Fine Arts
Confirmation Presentation
2023

Portraits à Grindelwald, 1906
2023
stoneware and newsprint
dimensions variable

untitled
2021
oil on canvas
80cm x 120cm

untitled
2020
oil on canvas
80cm x 120cm

untitled
2021
oil on canvas
80cm x 120cm

i absolutely adore being feminine
2021
oil on canvas
46cm x 62cm

March
2019
oil on canvas
120cm x 150cm

I will not make any more political art
2017
performance

“Your concern regarding diversity is poignant. Since your mail, I have spoken to Jan Murray (Head, School of Art), regarding this issue. As I mentioned, the School of Art (and S&SP) has actively been involved recruiting students from lower SES and regional contexts (through projects associated with the Equity and Innovation Grants (Higher Education Participation and Partnerships Program, HEPPP). Having said this, there is still considerable room to extend this agenda. Jan, and I believe most of the staff would agree, that increasing diversity and inclusion of students and staff is an important agenda over the next years, particularly in regards to the representation of indigenous people and other people of colour.”

Relational Aesthetics
2017
family photos on printed t-shirts

The Poetics of (This) Space
2017
unglazed porcelain, polymer adhesive, porcelain dust

As a Child, Dinner Was a Single Egg Shared with Her Brother and Two Sisters
2017
patinated bronze

Untitled
2017
glazed porcelain

Every Day With You Hurt but Not Really
2015
performance